Showing posts with label silk painting process. Show all posts
Showing posts with label silk painting process. Show all posts

Tuesday, October 6, 2009

"Coral Garden" - Lumiere saves the day!

As I continue to explore the art of silk painting, each piece is a new adventure for me. Today I'd like to share a little "disaster turned delicious" story. It started on a very warm day... I was up on my rooftop studio dreaming of tropical waters and was inspired to paint a seascape.


As usual, I washed and stretched the silk, drew in the resist lines ands started painting. Swaying coral shapes poured onto my silk canvas and I simply could feel water all around me as I drew each line.. the day began in bliss.. Notice, on the far right hand side, the unpainted seaweed shapes were getting rather complicated to follow because of all the overlapping, so I thought, "Aha! I will just write in numbers with my magic fabric pen!" I was quite pleased with myself for being so clever. And so I did just that..wrote in my numbers. I then ran out of daylight, and had to stop.

When I came back to this project a week later, and started painting in the the green shades of the seaweed, to my HORROR, the "invisible" numbers I had written in did NOT disappear when painting! Notice my red circled area and extremely realistic face reacting to this point. :) Apparently when left sitting too long, invisible fabric pens get permanent! The rest of the piece was so pretty. I sat there kicking myself for thinking I had been SO clever. Arrgghh!

Then I had a thought. A while back, I bought a started kit of Lumiere metallic paints http://www.dharmatrading.com/html/eng/393621-AA.shtml?lnav=paints_kits.html that I had not had a chance to try yet. The only other time I used the metallic paints with a brush (not through a resist tube, was under the supervision of Olivia Batchelder (see my previous blog titled Black Silk Experiment) http://musesilkpainting.blogspot.com/2009/04/black-silk-experiment.html My hesitation from using them, was that I didn't want my scarves to become too stiff.. but in this case, I had to do Something!

And so I mixed a little gold with olive and covered each number with strokes of this metallic paint. I also mixed a sparkling royal purple metallic and added shimmering highlights to blue coral and even a few of the fish scales. It seemed as if those parts in the seascape were being hit by the sun through the water.. Ahhh *sigh of relief* Lumiere paints saved the day!

Voila! Here is the final finished piece, drying on the frame. And now I have to say, adding that slight metallic really gave this multicolor scarf the little extra "something" that it needed! My disaster had turned into a delicious new piece. As many artists will attest to, sometimes mistakes turn into the most interesting part. I'm just relieved this one worked out.. as there have been so many others that did not have this happy ending!

To shop this scarf and see it mocked up on my dress form, follow this link: http://www.etsy.com/view_listing.php?listing_id=30891894





Monday, September 7, 2009

Labor of Love - Silk Painting Process

Hope you had a lovely Labor Day weekend!

In response to the numerous requests from friends, today I want to share with you my basic silk painting process that is used when creating my silk paintings. When you scroll down to the end of this post, there is a flicker link where you can view more photos of each step. Sometimes people wonder why the prices are a bit more expensive, than say, a scarf you would find at Macy's. It depends on many things.. the type of silk (which I will explain in more detail my next entry) , size, and of course, the level of detail and time put into each piece. Each of my scarves truly are one of a kind artworks, and really are a labor of LOVE. Here are the stages:

1. Inspiration - from books, online images, my pictures of the sky, dreams and imagination, I first must come up with a design I'd like to express.

2. Preparing the silk - After learning the hard way, I now always pre-wash my silk before painting, to get rid of any unseen residues.

3. Stretching - I stretch the hand rolled, silk scarf blank with pins on a wooden frame so the silk becomes taught from all angles.

4. Resist - Usually I draw freehand with the water based resist
onto the silk. These lines act as a barrier later when painting, and keep the colors from spreading.

5. Paint - I use water based paints, unlike most professional silk painters who use spirit based dyes. I use a Japanese sumi brush to paint in the colors - my favorite part!

6. Heat set - Once dried, I iron the scarf so that the paint chemically bonds to the silk.

7. Washing/Ironing - I hand wash each scarf about 2 or 3 times with baby shampo, soak the scarf in a water/softener mixture for a while, lightly roll towel dry, and then lightly iron on the backside.

8. Viola! It is finished and ready for photos!

Recently I finished a custom order scarf for a wonderful client of mine and took pictures throughout the entire process. To view this picture gallery, click HERE.

Another earlier custom "Go Broncos" piece also has great step-by-step pictures in the album HER
E.


All together from start to finish, one of my hand painted silk scarves could take anywhere from 3-12 hours! But of course, each minute I spend is a minute I simply cherish, as I have fallen completely love with the artistic medium of silk painting... and this Labor Day, I'll end with this quote, "Love what you do. Do what you love." - Wayne Dyer